Monday 12 June 2023

Theoretical framework

Having now finalised my question 'Can a deeper awareness of and connection to the natural environment impact my health and artistic development as a dancer?'
 I am sharing my theoretical framework. Although I have many other sources I will draw on, here are my main 3 sources:


1: Author and professor in the areas of both dance and environmental studies Andrea Olsen provides evidence for the connection between our minds, bodies and the earth and encourages us to explore this interconnectedness through embodiment and greater awareness of the patterns which can be identified through our bodies, lives and the planet around us in Body and Earth (2020). She justifies her theories with strong foundations combining biology, environmental science, meditation and expression through creative exploration.

Although she explores how as human beings, we are part of a large-scale dance as we move an ‘choreograph our days’ she does not specifically refer to the genre of ballet in this work or deal with how dancers of this particularly regimented style would respond to the exercises she has set out. She does however say that ‘All the physical laws of the planet are inherent in our bodies. Movements disconnected from underlying physical integrity are those that create injury or loss of vitality.’ (2020, p.74) With the high injury rate of professional ballet dancers this did make me consider how much physical integrity ballet dancers truly possess.

 

2: In 2021 Jimenez and multiple authors reviewed the existing studies to assess the impact of nature exposure on health and they discovered that longitudinal observational studies were beginning to look into the effects of nature exposure on depression, anxiety, cognitive function and chronic disease and there are enough studies to suggest that more exposure to green space is linked with better mental health outcomes. (2021, p. 5) Although the studies specifically addressing anxiety and depression are limited and of low quality there was some evidence to suggest that there were improvements in some with a depressive mood after short term nature exposure. There is also strong evidence showing improved cognitive function ‘even after a short time in natural environments as well as improved immune function through an increase in natural killer cells through ‘a potential pathway for improved immune function’ via ‘exposure to phytoncides (a substance emitted by plants and trees to protect themselves from harmful insects and germs). (2021, pp.4-5) However, once again is this research relevant to dancers who live very unique lifestyles?

3: Dwarika and Haraldsen (2023) reviewed the current research on dancer’s mental health and found that this is still an under researched area although ballet dancers have been researched more than any other genre the evidence is ‘still quite anecdotal in nature-revealing topics uncovered, populations left out and, and too little rigor in the methodological approaches.’ (2023, p. 12)

However, there is clear evidence that dancers who find it harder to manage stressors usually possess more debilitative personal qualities such as perfectionism, obsessiveness and ego orientation (2023, p. 8) and that most of the studies examined describe the dance world as an unrelenting environment with pressure to conform to ideals with teachers and directors in such environments adopting authoritarian teaching styles and showing little interest in supporting dancers’ mental health.

The study also highlights how developing psychological skills through training can provide protection and better resilience to cope with some of the pressures of the dance environment. However, it does bring up the question of whether any training can truly protect against ‘abusive’ environments. The study does not seem to be able to fully address this issue. But it does acknowledge that there is a ‘mutual relationship between the individual and its environment. An individual is influenced by the environment…Thus it is not only the absence of psychological flexibility, relatedness or the complex ability to cope with diverse stressors, but also diverse and complex interactions between an individual and its environment that can result in mental health issues. (2023, p.2)

Ballet has particularly high levels of cultural stressors and is described as an ‘authoritarian, hierarchical, cult-like power achievement culture where dancers accept abuse and unreasonable behaviour in a state of silent conformity’ (2023, p. 7) These stressors can lead to poor mental health outcomes and the development of mental health illness, with eating disorders and anxiety among the most common illnesses found. Although some positive mental health outcomes are identified such as life quality, confidence and self efficacy, these are only found in studies also reporting the absence of mental health. (2023, p.9) Although mental health is described as a dynamic state, overall the review found ‘strong indications for both the absence of mental health and the presence of mental illness’ which ‘point to a most warranted change in the dance world to address these issues.’ (2023, p.11)

Bibliography

Dwarika, M S., Haraldsen, H M. (2023) ‘Mental health in dance: a scoping review,’ Frontiers in psychology, 14, article number 1090645. Available at: DOI=10.3389/fpsyg.2023.1090645   

Jimenez MP, DeVille NV, Elliott EG, Schiff JE, Wilt GE, Hart JE, James P. (2021) ‘Associations between Nature Exposure and Health: A Review of the Evidence.’ Int J Environ Res Public Health. 18 (9) article number: 4790.pp 3-19. Available at: doi: https://doi.org/10.3390/ijerph18094790.

Olsen A. (2020) Body and Earth. Middletown, Connecticut: Wesleyan University Press


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